Saturday, April 6, 2013

Blogging from A-Z: F for Feluda



F for Feluda

A Sketch of Feluda, Topshe and Jatayu by me


This evening when I scanned the horizon to discover ideas about today’s blog post, several prompts beginning with the sixth letter of the English alphabetical series came to my mind: F for Friendship, F for Fantasy, F for Frustration, F for Family, F for Future, etc. All seemed quite judicious at the moment, I told myself I could very well pick one among the several magic-props and start scripting my ideas; and just when I was wavering between F for Family and F for Future, a door to my past opened with unusual vim and there, under the hallowed portals of days bygone, I found the very topic of the day: F for Feluda. Among the olla podrida of yesteryears’ images, among the grime and slime, among good and bad memories, were my Feluda, the hero if my youth, my first love.


As I sat in my chair on the pile of unacknowledged ideas, which looked at me goggle-eyed like those leftover congregation of Thanksgiving turkeys after one in the group had been selected to be pardoned, I saw my meta-voice upon hearing Feluda’s name performed a terpsichorean feat. I smiled and headed for my laptop.


Feluda, the astute private detective from Kolkata is an immortal fictional creation of the flamboyant genius Satyajit Ray. Ray, known to the world as an auteur who directed such gems of Indian cinema as the Apu Triology and Pather Panchali, was a brilliant writer as well, who concentrated mostly on literature for children and young adults, and Feluda was his unequivocal master-creation. Prodosh Mitra of 21 Rajani Sen Road, Kolkata -700029, is best known to the world by his informal sobriquet, Feluda. He along with his cousin, his “satellite” or his assistant, Topshe (Topesh Ranjan Mitra), and his friend, mystery-thriller writer, Jatayu (Lal Mohan Ganguly), partook of innumerable baffling criminal cases. Feluda emulated the great detective Sherlock Holmes and applied a method of detection and deduction for his own cases similar to Holmes’. An astute observer, Feluda was armed with a “magajastro” –his impeccable weapon of a brain capable of plunging into the convoluted sinews of a criminal’s mind and extracts his secrets, and a Colt revolver. Feluda’s first adventure was “Feluda-r Gyoendagiri” (English title “Danger in Dargeeling”) which was followed by such gripping escapades as Badshahi Ankti (The Emperor’s Ring), Sonar Kella (The Golden Fortress), Joy Baba Felunath (The Mystery of the Elephant God), etc. Each of the innumerable stories that I read as a child struck me as masterpieces, but the best among them was “Sonar Kella” or “The Golden Fortress”. It was a novel chronicling the adventures of Feluda in deciphering a labyrinthine mystery that involved a child who was able to recall his past and became a target of two dangerous crooks after mentioning the presence in his previous life of precious jewels in a golden fortress.



What was most intriguing about the Feluda mysteries was their setting. In his professional capacity Feluda had travelled far and wide, and his stories, which also read like fabulous travelogues, inspired many young readers in Bengal to become travel enthusiasts. I remember how after reading “Sonar Kella” I threw a fit until my dad agreed to take me to Jaisalmer, Rajasthan which houses the eponymous fortress. The Golden Fort in Jaisalmer is probably the only fortress in India made famous by a novel and a subsequent cinematic production (“Sonar Kella” was made into a movie by Satyajit Ray). The aureate aura of this flavicomous structure made of yellow sandstone draws innumerable Feluda enthusiasts every year, who come here to see the various places inside the fortress where Ray did his shooting for the cinematic adaptation of his famous novel. Those sights are a ticket to the gilded dream land of fictional-upliftment and imagination for many of Feluda’s young and old fans. When I revisited the place last year it proved to be equally exhilarating for me like it had been back in 2001 when I saw the fort for the first time.



As a kid my sister and I took it upon ourselves, ardent fans that we were of Feluda, to travel all the places Feluda visited. I am happy to say that we both have overtime managed to cover ninety percent of those travel-locations: London and Hong Kong and a few places in India are left. It was Feluda who made us love travelling, and even now, whenever I travel to a location haunted by Feluda in one of his fictional journeys, I cannot help but be elated.



 My love for Feluda has kept the adventure-loving child alive in me. It is to Feluda and his gripping-adventures that I turn to when on certain sleepless nights I feel the grown-up world’s weight tiring me.


 I know it is difficult to keep the child alive in you among the din and cry the world, but by not decathecting from my favorite childhood reads, I have been able to do it; and I say this without an iota of abashment that come what may, I am never going to do otherwise. Feluda and I are united, and even if age with all its majesty and intuitiveness demands a jettisoning of the leftover streak of youth, I propose to curl back in my youthful corner and enjoy an escapade with Feluda and display a stuck out tongue at the grimacing face of the demanding world eternally wanting me to grow-up.




The Feluda Song : 



Friday, April 5, 2013

Bogging from A-Z Challenge: E for Evening Dawning!


E for Evening Dawning!

Evening descends slowly in my city like drowsy eyes closing from the weight of sleep. The warm early-summer days with the sun’s rays dropping on earth approximating drum sticks beating on the musical instrument will often lead you to wonder if the day would at all pave its way for the evening hour. I wonder if we can do without evenings. Come to think of it, how do we define evening : a binary opposite of morning, a stereotype.May be we can do without them, but the unflinching law of the world as particular about its duties as a well-bred butler, will always follow the universal code as to the dark and light hours specified for a place. And so evening is born today as usual from the crepuscular venter of the day causing the inmates of the city to utter a sigh of peaceful relief. In my garden I imbibe the sweet smell of wet plants their leaves dripping with water along with the marvelous colors unleashed in the sky by some invisible necromancer. I stand and watch the evening-walkers in the park outside my apartment with cellular phone stuck to their ears seldom stopping to see the marvelous pre-evening sky above. The children playing downstairs count the scores in some game and exchange data about the regulations of a sport. They raise their voice to remonstrate with some rule-breaker and I hear their shrill teenage boy-voice along with the chirping of the birds en route their nests, the frequent honks of cars, the tinkling of cycle-bells, the occasional rumble of airplanes sundering the dome above, and bursts of laughter emanating from a group of women. I stand and listen to them and wait for another familiar sound of evening: my door bell. On days when I am home, I get to greet my husband and eagerly wait for the moment when I am to hear the oft-repeated sound of the bell, generally ignored but sounding special to my ears on certain pedestrian days. All the above sights and sounds are part of the quotidian evening ritual. They occur, these sights and the sounds—the ianthine sky giving way to inky black, the retreating chirrups from birds— with marvelous accuracy every day, and only on certain vacant days do I enjoy them. Indeed I do not remember the last time I enjoyed the dawning of evening; we are way too busy with our life to savor the fleeting joys of the day. Nevertheless, the occasional treat is good too. It’s amusing to think that the pulpy evening vision I inject in me will subsequently find its place in a machine-typed post to be published in a virtual space. Contrary to my previous estimation of the internet, I now feel it’s more indispensable than anything else, for one it never forgets and so the blog wherein I will disgorge my thoughts on this beautiful evening hour will perhaps be there in my virtual diary for me to scrutinize on some later date. Also, I think the idea that nature or the physical world as crafted by some supramundane agency cannot co-exist with a mechanical universe riddled with the boons of science is erroneous. I look at the evening vision around me: tall buildings happily illuminated by electric light embedded in their torso, cars parked under leafy greens, manicured lawn looking pretty, a bright red birdhouse accommodating a sparrow, and airplane lights twinkling at a distance in close communion with starts blinking in the sky.

Enchanting evening has set in and it’s time to savor the rest of it over a cup of steaming tea flavored with cardamom.  Ah, the pleasures of life, what are we without them!
I wish all my blogging friends a very good evening! 

Thursday, April 4, 2013

A-Z Challenge: D for Dear Delhi


D for Dear Delhi


You have been the jorum of dreams; you have been the heart of our country. You have been home to many drifters in the dawdling, dark hours of the night. You've been the flimmer of hope, the station of action, the place where vision meets reality. Since the antiquated centuries, you have been the maiden holding in her bosom monuments from which wayfarers still draw aesthetic nourishment. You have been home to art and culture, to music and drama; you have been the capital star of the country, its central conurbation, its cardiac organ throbbing with life. Dear Delhi, you have housed in your bosom princes and paupers, criminals and saints, men in white and individuals with shady reputation. Silhouetted against your painted red sky are skyscrapers, tall candle like structures often with tapering tops and pointed peaks finger-tipping the drifting lumps of cumulus. I see you as a pantomime, one with a painted face and communicating with gestures. I see you as an old matron tired with age, your back crooked from holding the weight of civilization. You stare at the city you gave birth to with eyes welled-up. You cannot hold your child by its arm anymore. It has matured before you knew it.

Dear Delhi, you have given opportunities, you have unleashed discrimination, you have pushed people to succeed, and you have forced them down hill too. You have been propitiated like god by your lovers with poems and prayers; you have been called a horrible monster by those who derived not a drop of milk from your buxom bosom. Dear Delhi, you have endured tempestuous disruptions, but what deracinated the essential human spirit in you was a blow hurled by a bunch of men. They hurled arrows on your chest; they robbed your bosom of their nourishing elements. They violated a woman, they violated you. A veil of assault was thrown at you and you were forced to display it. You now stand abashed, you dry maiden. The drought in your womb may never cease. Dear Delhi, you may never be the same again: the spirited central organ of the country breathing life and sporting equality for all. You have a scar on your face, an ugly defect that might never heal. You may still house wayfarers, breed dreams, but a piece of your ample heart that died on a foreign shore on a cold day last December , that broken piece might never re-unite with you; you may never be full and complete again,  my dear Delhi. 

Wednesday, April 3, 2013

A-Z Blogging Challenge: C for Cooking

      C for Cooking


Pineapple upside down cake: The result of one successful baking experiment in 2012




It is interesting how the latest blogging experience has for me become a ticket to travel to my own past to secure material for the daily entries.  It’s great to recognize at times how one’s past shapes a person’s present state. In the sweet and salty waters of the past we ceaselessly float with childlike abandon, savoring its taste and regaling in the changes the waters has brought in our system., and I feel absolutely fabulous when I go back in time and see how I have over the years become the person I am now. Today I wish to talk about my own past, my journey along the thoroughfare of life through the medium of food preparation.
Before I write my entry I head to my kitchen. Its elongated interior, its blue tiles, its shelves stacked with colorful Indian spices, and the little chalkboard abaft the oven wherein I write my random thoughts,  my occasional love notes to my husband and menus from to time, have so many stories to tell. Indeed, I feel that the kitchens I have had at my disposal since the time I stepped into one (for indulging in the serious business of cooking) will effortlessly narrate the story of a struggling cook, an amateur chef, an inchoate person getting to know her skills in the cooking department, which can also be seen as a metaphor for the struggles in my life I faced and endured.

In the stark reality of a modern city evening, I now see myself delving into the pool of the days gone by. My first memory of cooking is the dish of fish curry I prepared at home under the supervision of my mother, who was not too pleased to realize that her daughter, whom she seldom allowed to enter the oily kitchen in our Kolkata home, would after her marriage find herself in the household of a graduate student in USA where she would have to cook her daily dishes, if she wished to eat modest Bengali meals that is, and my mother wanted me to eat them. Indeed, she was unequivocal about it, since she had and still has a nasty way of regarding anything that has not been cooked at home. I can still see her standing before me goggle-eyed with beads of perspiration on her forehead trying to teach me how to fry a fish correctly. After my first few attempts when I dropped the fish pieces marinated in turmeric and salt in a pool of mustard oil that still hadn’t reached the correct temperature, my mother found herself on the brink of tears. “What will you do,” she said helplessly, “if you cannot prepare a simple fish curry!” She was sure that I would die of starvation, but was later assured by my then fiancĂ© and now husband that you seldom get fish like the ones you buy in Kolkata in the small university town we would be calling home, so perfection in cooking that dish wasn't required. My husband's words didn’t reassure my mother for she insisted that I learned a few Bengali dishes before I head for the altar and announce my vows. For days she literally pushed me into our kitchen at home and made me cook. Aloo posto (potatoes cooked in poppy-seed sauce), sorse mach (fish in mustard sauce, daal (lentil soup) were the first few recipes I learned to cook. I tell you that even now despite the wistful winds of time howling pensively in the tenebrous corners of an ever-moving life, I can clearly see that little kitchen at home and my perspiring teacher, my mother, armed with a stainless steel spatula ready to drop a blow on my head in case I made any mistake in wielding the skillet.

The second kitchen I went into was the one at my in-laws place. My mom-in-law was evidently anxious when she discovered before our wedding that her would-be daughter-in-law was “interested” in cooking but has had no experience in that department so far. Here, I must tell you, people in Bengal are great foodies. They love to have a good meal three times a day complete with fish and vegetables; and cooking in the eastern part of India is considered an art, a skill to be assiduously mastered. As a devout lover bent on marrying the person I now come home to, I was thoroughly bent at the time on securing an affirmative nod from his mother. Make a good impression was what I had in my mind. I am sure despite my incessant effort, my mom-in-law was convinced when I tried cooking for them that I wasn't a star in that department. She was patient and taught me and my sister-in-law on one of our visits to her place before our respective weddings, how to cook Muri Ghonto (a special Bengali dish made with fried fish head and rice). Now, after six years of my marriage when I step into that kitchen on my occasional visits to my in-laws’ suburban home, I cannot but smile at my naivetĂ© at the time I first encountered that cooking-room. Now I am a confident cook, years of practice have taught me  how to browse and sluice, but the memory of my appreciative glance as I beheld the crushed fried fish heads being dropped into the bed of half-cooked rice and cashew and raisins by my mother-in-law still makes me smile. 

And then there was my third kitchen where I was the master-chief and decision maker as to menus. It was a great independence to find myself in my husband’s graduate-student abode with a kitchen solely at my own disposal. In the sleepy town of Carbondale, IL, USA, I found myself experimenting with spices and cuisines. Kitchen wisdom generously provided by acquaintances, homemakers who have been making delicious Bengali meals from scratch in their kitchens in their homes in the USA, came as a great help at the time. I learned from one of my lovely acquaintances how to make mishti doi (sweet yogurt) using condensed and evaporated milk. Alone at home in quiet afternoons with ample time at hand, I would head over to the kitchen and try to execute my newly acquired cooking skill. The experiments often bore ghastly results when I had to rush to the internet to find out how to sweeten an overtly salted dish, or how to deal with a curry with too much spice in it. The kitchen burn marks I still bear in my arms will testify to my ceaseless struggles to learn how to cook. My husband, a chemist, was already a master in the cooking department by the time I had arrived in his kitchen. Five of six initial disastrous meals and a few minor kitchen burns convinced him that matters need to be taken at hand and so, on weekends, he used to have me by his side while he cooked a delicious chicken curry or a tasty veggie dish. It was he who passed on me the trick that when you fry turmeric before you cook any Indian dish that has the spice in it, the taste and appearance of the dish gets a positive boost.

My fourth kitchen was a joint-establishment I shared with three other inmates of a house we lived in for a few months in Cambridge, Massachusetts, USA It was a three-storied house where we had our rooms in the third floor. Our Taiwanese flat-mate was a woman I instantly bonded with soon after my arrival; I often shared our Indian meals with her while she in return would introduce us to some of the delicious dishes from her distant homeland. I remember her telling me once about something called a thousand year old egg, which was apparently hot-stuff. The description of the egg's black exterior and green yolk make me avoid its homely substitute for a few days. Still egg-curry was the thing I once cooked for her, and she, I remember, was lo less happy to find out that our humble one-day-old egg was equally delicious as its thousand-year-old rival. 

My fifth kitchen in Nashville, TN, USA was the address to my major cooking-related-disaster. While making a delicate salmon curry for my husband’s birthday meal, I found myself mistaking the little finger in my left hand for the fish. I applied the knife on my finger with vim and found myself dripping with blood and was subsequently rushed to the nearest Walgreens. Upon seeing the medical practitioner and relating the story of how-I nearly-chopped-off-my finger, I mentioned to her in unequivocal terms my fear about injections. A few moments later a needle was punched into my forearm; still, in the end, after the bloody-drama was over, I managed to cook that half-done fish under the glaring eyes of my eyes, piqued to the core by my display of defiance when he said I should rest and not cook anymore.

It was in the papered walls of my Nashville kitchen that I find myself returning now with a sigh one breathes when one remembers good ole days. That kitchen in our two-bedroom apartment in Nashville was my cooking-abode for nearly three years and therein I saw myself mature as a cook. It was it that kitchen that I upped from an apprentice to a descent cook. It was in that kitchen that  I cooked my first Thanksgiving meal complete with turkey and mashed potatoes and gravy.In there, I regularly reproduced the meals I watched Paula Deen, Ina Garten and Rachel Ray make in their respective cooking shows on television. I am sure I may have had several failures when I re-did the recipes I learnt at the time from varied sources, but right now all I see are the good things I cooked: a delicious looking jambalaya, a juicy chicken-roast, mashed potatoes with cream and cheese in it, cakes perfectly baked, etc.

And now, finally after six years of marriage and staying by myself with a husband for company, I see myself heading to my kitchen in Gurgaon, India, my sixth kitchen, on days I don’t have to attend classes at my university or on weekends. A happy academician keen on literature, I now find myself waxing lyrical about cooking. It doesn’t seem to me a rocket-science anymore; it’s a humble chore that needs to be performed at certain times in a week. I am no more intimidated by recipes with weird French names of ingredients that I thought were only begotten in some other world. My view of cooking has changed with my experience with that art. Like writing, which liberates me and makes me happy every time I try it, cooking too gives me ample joys when I am wielding the skillet. Writing the menu before embarking on the project is most fun for me. I am yet to learn how to make a perfectly round roti (Indian bread) though, and I have avoided the task so far. May be someday I will learn it, but right now cooking isn’t a priority anymore like it used to be at one time in my life. I am at peace with my skill and don’t have to impress anyone with my cooking; I now do it for love and with love and sometimes when exhausted from work with extreme dislike too. I guess we all face a certain lull in our activities after the tempestuous initial stage of new-beginnings is over. All that is now left with me about cooking is a reticent liking for the art but no more; nevertheless, my experiences as I learned how to cook,will always remain little gems illuminating in my album of collected occurrences from my life and will bring me ample joy whenever I shall recall them.


Tuesday, April 2, 2013

A-Z Blogging Challenge: B for Books!!




Before I began the blogging challenge, waking up in the morning to prepare self for the day has always been a problem with me. Today I see myself up with the lark, though I am not sure if I could trace the wings of the said bird in the vicinity; the Indian Mynas and pigeons are all I see in my patio.

I am sure you have guessed correctly today’s topic of discussion: B for books. I wonder if to a bibliophile the letter b could ever mean anything else. When I closed my eyes to ruminate for a bit before I start punching away in my laptop, I saw the image of books, stacked neatly on tables and on book shelves. Beautiful folios and hard-binds with blue and red printed covers, myriad titles written in gold letters lie with bated breath for the reader to approach them. I see their heaving bosoms pregnant with dreams that will be transported to the reader once communication with her is established. Thinking this way I wonder if books that animate our world are imbued with life as well? Scientifically speaking such an idea is outrageous; but ask a reader and she will testify to the unmistakable presence of life in books. When we read we touch the miasma of creation emanated from the writer’s mind and frozen between the pages of her book. We read the book and we know how wonderfully creative the writer’s mind has been when she/he gave birth to the tale we now read. The writer’s presence conspicuous by its absence seldom fails to impress upon us the stupendous power of the human mind when inspired with creativity.

If one browses the blog-posts in my blogger page, one will doubtless encounter illimitable references to my love for books in general, and P.G. Wodehouse’s creations in particular. I have often mentioned it to my few book-peers that it is unequivocally Wodehouse who has made me love books. I used to be a reader before I read him, but I wasn’t a voracious one at that. My love for books was temperate: I used read one or two books in a month. But now the habit involves reading at least four to five books in thirty-days. This drastic change in my reading habit was brought upon me by the lovely books of PGW; the more I read him the more I realized the power of literature. Wodehouse’s books convinced me that sitting home and reading is way better than interacting with people you don’t quite like. He convinced me that if given a chance books can become one’s best pals; but most importantly, Wodehouse taught me the virtue of a good laugh. My life thus changed from reading Wodehouse and I paid homage to the great master by reading most of his books available in the market.
As a writer bent on learning the art of creative creation, it behooves me to read every day, and this habit has led me to discover the following lists of books: 


The above lists have proved to be immensely helpful in discovering texts that ought to be read. The last few books I tremendously enjoyed have been: Good Omens by Terry Pratchett, Cold Comfort Farm by Stella Gibbons and Dirk Gently’s Holistic Detective Agency by Douglas Adams. I liked Cold Comfort Farm the best; it’s a domestic comedy set in a quaint little farm in Sussex where things are not quite all right until the heroine Flora Poste arrives therein and does a bit of domestic-wizardry. The characters are delicious and the book a delight to read.

The aftertaste of sweetness and satisfaction came after reading Terry Pratchett as well, probably more so than Cold Comfort Farms, which has a couple of oriental and exotic references to the non-Western world which annoyed me a little. But Good Omens was a delight from first to last. It is an imaginative extravaganza that talks about Armageddon and good and bad angels and a witch called Anges Nutter, whose prophesies are mind-bogglingly “nice and accurate”. I am abashed to state that before Good Omens I haven’t read anything by Pratchett, but I am now ready to rectify that mistake because I have ordered his Discworld series of books and intend to read every one of them before the year ends.

The complete works of Nickolai Gogol, Wilkie Collins’ Woman in White, short stories by Franz Kafka, The Name of the Rose by Umberto Eco are some of the new books in my reading list. Eco’s taxing prose has particular appeal for me because his esoteric texts (Foucault’s Pendulum, Prague Cemetery) full of arcane references to dark-mysteries requires me to use the clammy cells of the cranium to decipher the mystery.
I now look at my watch and see that I have talked for a long time on my favorite subject: books and I still have so much to say. Indeed, one is never satiated when one exchanges data with others about books. It is a topic that has infinite possibilities. Reading with love and reading for love of books do give you immense happiness and joy.

After I am done with my Masters Degree course I wish to take a long holiday to write and read. Aah…the thought makes me go all dreamy-eyed, the books that I have in my mind beckon me with welcoming smiles. I see their faces all beaming with enthusiasm for me. They are my world and I am theirs, together my books and I are members of family, relations of soul. They nourish my mind and make me a more confident and happy person.
I wish all my readers a very good morning J